Architecture as Theory – The Nodes 9
“‘Nodes’ signifies a meeting point—a place of convergence. ‘9’ refers to the plot number of the site.”
Architecture often revolves around form, function, and aesthetics. The Nodes 9 is envisioned as a space for gathering—a confluence of people, dimensions, and diverse backgrounds. It is a meeting place for coffee culture, architecture, art, and construction. In this convergence, architecture is reimagined as a medium for encounter, dialogue, and open discourse.
From this conceptual foundation, the architectural journey of The Nodes 9 begins—with space as a catalyst for discussion. The project introduces perception theory into the design process, not to offer definitive conclusions, but to provoke conversation. It is not about right or wrong, resolution, or final outcomes. Instead, it functions as a prompt—an invitation to reflect, question, and engage.
The design explores the perception of straight and slanted—two notions often seen as opposites, as if they cannot intersect. Yet here, both coexist and are intentionally brought together in a single spatial expression. Another discourse emerges between walls and structure—typically unified in architectural design—but in this project, they are deliberately treated as separate entities, suggesting an intentional detachment and redefinition of roles.
This conceptual framework of dialogue and discourse underpins The Nodes 9. It is a space that strengthens the idea of gathering, where individuals with differing perspectives, interpretations, and beliefs are invited to connect, exchange, and engage.
